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  • So, just checking here: am I the only guy in the fandom who likes Philip? His design is really unique, he has a fun personality, his voice, courtesy of Rasmus Hardiker, is charming, and he has a lot of nice episodes. I have no problems calling Philip "fren". However, does this mean he's immune to a stinker? Definitely not, no character is. But is Philip's Number one such stinker? Let's get into it.
    Philip has always worn the number 68 and he begins to question why he's been given such a specific number. And...that's basically it.
    Yeah, this isn't really the most interesting story you'll find from this character, and a big reason why is, in my opinion, the mere concept. A story is only as good as the idea behind it, and this one...I don't get it. Was anyone even questioning why Philip was numbered 68? Was there really some kid out there who couldn't sleep at night without knowing why Philip had that number? It just seems like a weak excuse to give Philip an episode because...they needed a Philip episode. And in execution, it does come off as a little slow, with Philip meandering around trying to find out why he's numbered 68. It becomes one of those episodes where nothing really happens. Even the message of "it doesn't matter what number you are" doesn't go anywhere and gets contradicted by the episode's ending.
    However, what does elevate this episode a little is the ending. After Philip saves 68 sheep from being run over (which, by the way, 68 sheep? That's not contrived at all), he declares 68 his lucky number and we don't find out the real reason. It's left entirely to the imagination. I personally think it's because it's the number before 69. Also, one part of the episode I thought was kinda cool was when we go into Philip's psyche and he starts imagining the hypotheticals that are presented to him. I remember when this episode dropped, these scenes got a bit of flack for being too unrealistic, but you guys do know they're in Philip's imagination, right? I mean, I once imagined going apple picking with Ronald Reagan using a LEGO brick as a boat, that doesn't mean it's gonna happen...mostly because Reagan is still dead, but why are we splitting hairs?
    Overall, Philip's Number is kinda mid. It's a rare case where the episode gets a touch better as it goes on, but the weak story and idea, slow pace, slightly contrived ending and contradictory message make it a fairly mediocre watch. I guess if you're a hardcore Philip stan, I can't stop you from watching it. But as for me, there are far better options than what you get with this one, so I'm gonna give this a 2.5/5. I guess I'll say this about the episode...at least Philip isn't numbered 67.

    Final Rating: 2.5/5

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    I think it's safe to say we all remember where we were when they announced they were booting Edward, as well as Henry, off the main cast. When they announced this in 2017, it took the fandom by storm, and not in a good way. For those who are unaware, to say the fans were outraged is a massive understatement. Edward was one of the most important characters in the franchise, literally the character who started it all, and they're throwing him out? As for me, I'm still not completely over that change, especially considering how little he was used after that. But then we have today's subject: A Shed for Edward. Does it give Edward the sendoff he deserves? Let's begin.

    Following the events of the previous episode, The Fastest Red Engine on Sodor, Tidmouth Sheds is a wreck and Edward needs a place to stay. Philip offers to let him bunk out at his shed, but his constant chattering keeps the wise old engine awake all night, meaning he has to go out and find someplace else.

    One complaint I have about this episode is that it follows a pretty lame formula: Edward finds a place to sleep, he’s kept awake by the noise, he tries again, rinse and repeat. While they try to mix it up a little each time in clever ways, this just leaves the episode feeling repetitive and predictable. By the time we get to the montage of Edward finding different places to sleep, you can already guess that Edward's gonna be really tired the next morning, he's gonna get into an accident and Philip learns his lesson. I will say, however, is that they did at least answer one question I had about the series: if the drivers are controlling the engines, can they just sleep while the driver does all the work? And this episode basically says they can.

    Alright, now onto the real meat and potatoes with this episode, perhaps the most controversial element: the ending. I wanna start off by saying the idea of Edward moving to Wellsworth isn't a bad one; it's right at the start of his branch line, so it would make sense he would want to live there. The problem is the everything. The way they get Edward out the door feels completely rushed, and none of the engines at the sheds seem all that bothered by the prospect of one of their closest friends walking out on them. Not even Gordon, who gets a whole episode about how he wants Edward back in the sheds in Season 22. If anything, they kinda seem happy about it, considering the first thing said when he leaves amounts to "hey who do you guys think is gonna replace him?". What makes it worse is how whenever they bring it up in the later episodes, they make it seem like the engines were upset about this. If that's the case, why are they smiling when he leaves? It makes it so any attempts to make it seem like they were sad about it feels more like the writers subtly gaslighting the fans.

    Overall, A Shed for Edward is a mess. While there are a couple of decent moments here or there, the repetitive nature and the ending bog it down into Season 21's biggest misfire. It's not something I would recommend to anyone unless they need an example of how not to write out a character, and as such, it gets a 1/5. But in regard to how Edward was written out, what about Henry? Well, see me again in August.

    Final Score: 1/5

    About the Author: JF the LOLZOR
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    Ah, Gordon and Spencer-even though you two are cousins who were built by the same designer, you two in actuality are bitter rivals to the core who love to try and outdo one another in terms of speed and strength...but will you two learn to put aside your differences for the sake of your passengers on the new year?  Let's find out with 'Confused Coaches'!
    When Gordon and Spencer's competitive behavior gets out of control on the last day of the year, it may end up causing more confusion and delay than ever.  When this episode was announced, I was actually rather intrigued by the concept since it has been quite a while since Gordon and Spencer were given some major screen time together and it felt great to see them get it a bit of the action with the writing being as entertaining as it was. But was it entertaining enough?  The answer is...yes, yes it was.

    When it comes to the story, even though the main point of the episode doesn't kick in until halfway through and the comedy with Sir Topham Hatt is now starting to become repetitive, the holiday that ties this episode together is one that we haven't seen before.  Whereas every holiday-themed episode in the series has always been either Christmas and maybe Halloween, and inevitably Valentine's Day, Helen Farrall actually decided to give us a New Year's Eve episode-that's an idea so obscure that only fans of the show would ever consider trying let alone the corporate company that runs the franchise, so to see a New Year's Eve episode finally make its way into the series was really nice to see especially with the moral of learning to put aside differences and starting fresh again especially when you think about how long of a rivalry Gordon and Spencer have had with each other.

    As for the visuals, it's always great to see more of Jam Filled's continued work from Arc Productions with winter-themed episodes and they really got to show what they could do during the sequences of Gordon and Spencer racing each other as well as the editing of the shots when Spencer is scheming to get back at Gordon which reminded me a lot of the series '24' and let's not forget the beautifully animated fireworks at the end of the episode to celebrate the new year and close out the episode with a moment where I just wanted to reach out through the screen and hug Philip.

    And when it comes to the two core characters of the episode, it's always fun to see the massive egos of Gordon and Spencer go head to head and I can tell that Kerry Shale was having a field day when voicing for Gordon during the climax.  Some have said that Flying Scotsman should've appeared as well to be the voice of reason between the two engines and while I would've loved to see him again since that role would've been perfect for him, it would've been overkill considering that we would've already had an episode like that in this season with 'Emily In The Middle'.
    Overall, even though there were some delays in the writing, 'Confused Coaches' goes full steam ahead for the new year and I give it a rating of a perfect 5 out of 5. And with that, I wish you all a happy new year! Let's just hope that 2021 is better than 2020!

    Final Score: 5/5
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    The seventh episode of Season 21 makes its debut with Hannah - the first newbie of the season. The episode's been rumored for almost years, will it hold up? Let's see:

    ThomasFan3000 takes the pen to write the review for Hasty Hannah. 


    >> This time, ThomasNATION will also be including tweets from fans in reviews! To be included, just tweet with the hashtag #TNS21Reviews and tag @TheThomasNATION! <<

    Image credit: Thomas T'n'P Productions Extras



    The episode - whose story I was plainly not too excited for - begins with Toby and Henrietta. Toby's coach is supposed to be renovated, and given a new upholstery at the Steamworks. Old Toby feels genuinely saddened that he'd have to be without Henrietta for a few days, and even just in twenty minutes, he misses her. This was quite a funny joke.



    The Fat Controller introduces Toby to his new coach while Henrietta is away - Hannah. Her first words in the show are amazingly delivered. "Hello Toby!" says the cheerful ol' coach - too cheerful, it appears, for her own good. Toby is visibly distressed - he simply cannot handle Hannah, he knows. 



    The Fat Controller's comment of them working spendidly together was quite a nice touch. Yet the next scene did disappoint me. Toby isn't that slow - the exaggerated speed most certainly irked me. Hannah urges Toby to go faster, like James. Yet, hasn't this plot been used before - with Thomas and his coaches (with the roles reversed, yes)? I mean, of course, speed is going to be a center plot every once in a while since they are vehicles after all, yet to me, Hannah's personality seems a hit and a miss. Her look, her voice, her everything could've been used so in depth, instead of just an impatient coach. There could've been many, many layers to her, yet and still could be, if they decide to go in that direction. But this episode wastes Hannah's potential, to an extent - at least. 



    Finally, the imapatient coach loses her patience (!) and pushes Toby onwards. This honestly didn't bother me - I mean, trucks do it all the time. Avoiding a near collision with Percy - which was amazingly animated by the way - Hannah makes Toby speed on. Even at the stations, she's restless - even though she's a passenger coach, but okay I guess. 



    Up until this long, the episode's done nothing in the last two minutes, just Hannah making Toby race around different locations. And I'm glad for the next part - because this is where the episode is saved. As Hannah refuses to put on her brakes, Toby nearly avoids a crash as they speed down the hill. And I'm glad they didn't crash - because if they had, and the episode had ended with a lesson then and there - it would feel like something from Season 14. Luckily, Toby decides to leave Hannah (and her passengers?) stranded because he's just had too much. He goes to the Steamworks to see Henrietta.



    What Henrietta told Toby was really heartwarming, she's the real MVP for Toby - helps him through it all. Its amazing - and saves the episode from being a complete let down. Toby goes back, only to discover that Hannah's long gone, and is riding her fastest with the splendid red, on the verge of breaking down.



    Toby told her. She wasn't built to go fast. Hannah starts breaking down, all her parts flying like Hiro in Hero. The coupling snaps, and she stops, luckily saved from getting recked to the core. Hannah realises her mistakes and Toby takes her to the Steamworks. Henrietta and Hannah are sisters, apparently - and with Toby's coach fixed, he starts back on his way, while Toby's coach's sister is heard in the background asking the crew to speed it up, the hasty coach she is.



    I'm so glad for the episode's last three minutes - because without them, it would have been completely stupid, and wrong to be a part of this great season. Luckily, the episode is saved from being terrible, and earns a good rating in my eye.

    So, from my side, this episode gets a 3.5/5.

    FINAL ThomasRATING: 3.5/5

    Check back for more reviews, soon! If you want to feature your tweet review for an episode, tweet with #TNS21Reviews and tag @TheThomasNATION!


    ...



    About the author:
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    As the second week of Season 21 begins in Channel 5's UK slot, we see an exciting, different episode, starring Edward, Reg and The Fat Controller... This one's called "PA Problems." A lot of comedy, with a potentially good story - but does the episode meet the standards of the previous Season 21 episodes or is it a let down?

    Read JFtheLOLZOR (Jack's) review for PA Problems. 



    >> This time, ThomasNATION will also be including tweets from fans in reviews! To be included, just tweet with the hashtag #TNS21Reviews and tag @TheThomasNATION! <<

    Hey everybody, it's JF the Lolzor again. We're now entering the second week of Season 21, which has proven to be a massive wild card. And as we enter the second half, will it hold up as well as the first? Let's find out.


    So, PA Problems sounds relatively simple on paper. It's just an episode about PA systems. But when you put it in practise, there's more to it. So here's the thing: Sir Topham Hatt gets a new, state of the art PA systems, while the old one is given to Reg. The new PA system sounds like it could be a brilliant addition to the station, but in actuality, it is just awful. Tourists wind up at the quarry, workmen wind up at the beach, pigs wind up at Callan Castle, the list goes on. Everything goes wrong immediately and it's up to Edward to try and sort things out.


    What I particularly like about the episode is that the humor is absolutely top notch, case in point Reg. He always appears to be bobbing about like the characters in Journey Beyond Sodor, but here, they make it simulate that Reg is having a little dance party. What's also funny is that they even remember to include the reactions of the workmen at the scrapyard, showing that they're constantly annoyed by Reg's singing, to the point where one guy had to strap the lids of trash cans onto his head and use them as earmuffs, which is absolutely hilarious. The comedy of the series can be at the top of its game at times, and nowhere is it more spotlighted than in here.


    If there is one spot of criticism I have to give the episode, it's that it often times moves a bit too quickly, making it a little bit harder to focus on the events. That, and the story itself is easily predictable. You can tell how the episode ends in the first minute of the episode. It's not a problem, per se, because it makes up for the weak story by supplying some great laughs. While I applaud the humor and clever jokes of the episode, the basic outline of the story is pretty darn weak.


    I won't say this is the best episode from Thomas, or even the best of the season, but I will give it that it's the funniest episode of Season 21. Sure, the story is weak and moves a bit too quick, but thanks to it's brilliant comedy, it becomes worth a watch, which is why I give it a 3.5/5. With a bundle of new characters, a new and improved Rosie, and the return of Terence, here's to the rest of Season 21 and the other surprises it'll bring.


    Final Rating: 3.5/5
    The rest of the team gave it a similar rating, with the highest being 4/5 and the lowest 3.45/5.


    FINAL ThomasRATING: 3.65/5

    Check back for more reviews, soon! If you want to feature your tweet review for an episode, tweet with #TNS21Reviews and tag @TheThomasNATION!


    ...

    About the author:
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